Work.
Three small bodies of work that explain how I see. Click any photo to view it larger.
Rod & Laura.
Their pre-wedding shoot. Black and white because the colour version was their second favourite. The veil does most of the work.
My first full portrait set of actual humans. Skin tones at 3am, motion blur on purpose, a couple about to become a different version of themselves. Brisbane, November 2025.
Off the Clock.
Four black and white frames from one Saturday. A bathtub, a couch, a kitchen pass, a walk home in the dark. The same person, slowly turning back into themselves.
Shot on a 35mm prime, available light, no retouching. The grain is the room.
Sweet Hours.
A Valentine afternoon with two friends and three desserts. Pink ribbon, panna cotta, a red sweater. The brief was simple: shoot until the light dies.
The pictures are about hands more than faces. Hands hold the story.
After Hours.
Two portraits of a friend at the end of a Tuesday. The kind of pictures you take when the conversation has gone soft and nobody wants to be photographed, but you keep the camera out anyway.
